Kunstwirkstoff im Werftraum

Performance Art and Installation (laboratory experimentations) Final Presentations April 28, 2024 at MOSI , Museum of Superior Installation,  Wolfenbütteler Strasse 31 a Basement, Braunschweig Germany photographed by Roman Grussu, Dagmar I. Glausnitzer-Smith, Viktoriia Bachmann   Tine Wille        Viktoriia Bachmann             Roman Grussu           Dana Crasser                                     Angel Alado

      Navigating Centre Peripheries   Workshop Content EN : New to the experience in the Performance Workshop is examining the idea of intervention, entering and engaging with a pre-set of a conceptualized location, i.e. the museum. The museum of Superior Installation MOSI offers a rare occasion to physically interact and capture a momentary situation which is the challenge to gain access to a pre-occupied context. Yet, the individual performer, workshop participant is able to test ideas of interference and conspicuous change coupled with the notion of memory as a psychological phenomenon and concepts of historical representation. Emphasis is given to investigate images of entrance and staircase, to de-strange exits by highlighting the change from being inside to outside. The body is the medium through which the creative flow enters the world. It could be that the artist is present or is absent.   A transmaterial relationship between...

    Workshop concept Phase II by Dagmar I. Glausnitzer-Smith: (EN/DE)   The focus of this workshop explore s the means of a live ‘image’ in space , and its compositional aspects and delivery. And foremost to define and understand the meaning and existence of image. A composition is being created with the understanding of space, time, texture, contrast, fragmentation, layers, color and the human body. A composition may be in question and is non-directive with intentional aspects emphasiz ing and highlighting the body i s object. Der Schwerpunkt dieses Workshops liegt auf der Erforschung einiger Mittel eines lebendigen  „Bildes“ im Raum undseiner kompositorischen Aspekte und Bereitstellung, um vor allem die  Bedeutung und Existenz von Bildern zu definieren und zu verstehen.  Eine Komposition entsteht mit dem Verständnis von Raum, Zeit, Textur, Kontrast,  Fragmentierung, Schichten, Farbe und der Präsenz des menschlichen Körpe...

    Excerpt from the workshop concept by Dagmar I. Glausnitzer-Smith:   The workshop takes a practical and critical stance, which will animate the creative process. It is sensitive towards ideas, details and signals, which implement an unfamiliar way of seeing. Through group conversations, individual ideas are being reflected. The question of where is the ‘art’, ‘the work’ remains at the core of the workshop. Participants of the workshop will explore the means of a live ‘image’ in space and its compositional aspects and delivery. A composition is being created with the understanding of space, time, texture, contrast, fragmentation, layers, color and the human body. A composition may be in question and is non-directive with intentional aspects emphasized in the presence of body as object. The discussion will lead to an understanding of the ‘foreground’ of a situation a s image in space. Through observation of known habits and the analysis of conv...