Kunstwirkstoff im Werftraum

    Workshop concept Phase II by Dagmar I. Glausnitzer-Smith: (EN/DE)   The focus of this workshop explore s the means of a live ‘image’ in space , and its compositional aspects and delivery. And foremost to define and understand the meaning and existence of image. A composition is being created with the understanding of space, time, texture, contrast, fragmentation, layers, color and the human body. A composition may be in question and is non-directive with intentional aspects emphasiz ing and highlighting the body i s object. Der Schwerpunkt dieses Workshops liegt auf der Erforschung einiger Mittel eines lebendigen  „Bildes“ im Raum undseiner kompositorischen Aspekte und Bereitstellung, um vor allem die  Bedeutung und Existenz von Bildern zu definieren und zu verstehen.  Eine Komposition entsteht mit dem Verständnis von Raum, Zeit, Textur, Kontrast,  Fragmentierung, Schichten, Farbe und der Präsenz des menschlichen Körpers.  Eine Komposition kann fraglic

    Excerpt from the workshop concept by Dagmar I. Glausnitzer-Smith:   The workshop takes a practical and critical stance, which will animate the creative process. It is sensitive towards ideas, details and signals, which implement an unfamiliar way of seeing. Through group conversations, individual ideas are being reflected. The question of where is the ‘art’, ‘the work’ remains at the core of the workshop. Participants of the workshop will explore the means of a live ‘image’ in space and its compositional aspects and delivery. A composition is being created with the understanding of space, time, texture, contrast, fragmentation, layers, color and the human body. A composition may be in question and is non-directive with intentional aspects emphasized in the presence of body as object. The discussion will lead to an understanding of the ‘foreground’ of a situation a s image in space. Through observation of known habits and the analysis of conventional behav